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During
Regionalism, no aesthetic position served as a better vehicle
for the ideology of the scenographic culture that movement
demanded than genre painting, heiress of the flemish kermeses,
not to forget the feeling for a Spanish and castilian landscape,
typical of the 1898 generation. We find an intimate and singular
genre which deals with local customs, the portrait, the city´s
reinventions, and also a single and almost religious painting
in some of the artists of this volume.
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