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Opposite
to the international success of abstraction in the 1950s,
the figurative proposal comes up in the 1960s. Apart from
the heirs of the expresionism of the esté-tica do
granito granite aesthetics (Corbal, X. Maside,
Virxilio) or of realism (M. Victoria de la Fuente, Rafael
Alonso, Xavier Pousa), some neofigurative op-tions come up
with Quessada, De Dios, Úbeda and Jorge Castillo.
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