During the 1960s and 1970s realisms obtain a particularly rich excellence. Realism of intimacies; we find it in Gabino´s works, or more expresionist and neofigurative in Argüelles, Felipe Criado and En-rique Ortiz. We also find a magical interpretation of objects and spaces in Elena Gago (the works of Rogelio Puente or Caulonga were considered as “hyperrealism”), and a realism strengthened by onirism in A. Costa, as well as in the landscapes of Antón Quesada and Antón Abreu. These are different ways of approaching the social reality of the existential space and nature.